En este texto se analiza la “fascinación” que deriva de la práctica fotográfica y su capacidad para acercar y distanciar a los sujetos de lo real, para volver al mundo simultáneamente íntimo y lejano. Tanto los turistas que la practican en sus viajes como los fotógrafos creativos que buscan una perspectiva desacostumbrada, ven en las imágenes fotográficas modos de atestiguar sus salidas de la rutina. Se reflexiona también sobre cómo la fotografía puede sacar al sujeto de lo ordinario cuando, al (...) usarla como instrumento de investigación, se persigue el desenmascaramiento de lugares comunes. No sólo las fotos se hacen en los viajes. La foto puede ser pensada en tanto viaje: como un camino de la memoria. Exploración de lo que todavía no es o está latente entre las cosas. Mirar una foto es siempre mirar hacia otra parte; tomarse fotos es estar yendo hacia el lugar en el cual uno será mirado. (shrink)

A leading figure in cultural studies worldwide, Néstor García Canclini is a Latin American thinker who has consistently sought to understand the impact of globalization on the relations between Latin America, Europe, and the United States, and among Latin American countries. In this book, newly available in English, he considers how globalization is imagined by artists, academics, migrants, and entrepreneurs, all of whom traverse boundaries and, at times, engage in conflicted or negotiated multicultural interactions. García Canclini contrasts the (...) imaginaries of previous migrants to the Americas with those who live in transnational circuits today. He integrates metaphor and narrative, working through philosophical, anthropological, and socioeconomically grounded interpretations of art, literature, crafts, media, and other forms of expression toward his conclusion that globalization is, in important ways, a collection of heterogeneous narratives. García Canclini advocates global imaginaries that generate new strategies for dealing with contingency and produce new forms of citizenship oriented toward multiple social configurations rather than homogenization. This edition of _Imagined Globalization_ includes a significant new introduction by George Yúdice and an interview in which the cultural theorist Toby Miller and García Canclini touch on events including the Arab Spring and Occupy Wall Street. (shrink)

La literatura en América Latina ha representado, a partir de la segunda mitad del siglo XX, uno de los temas que más preocupan a la sociedad latinoamericana: la heterogeneidad de las culturas que buscan incorporar la modernidad y los avances tecnológicos a las tradiciones y a la cultura popular, lo cual genera la concepción de una identidad en conflicto. En este ensayo se analiza cómo está representado el “sujeto heterogéneo”, término propuesto por Cornejo Polar, en la primera parte de la (...) novela El zorro de arriba y el zorro de abajo, de José María Arguedas, a través del estudio de los diferentes narradores empleados en la narración de la novela propiamente dicha y en los fragmentos del diario del autor, con el propósito de demostrar cómo influye la narración en el proceso de ficcionalización y en la representación de la identidad en conflicto. Para este ensayo se recurre a los teóricos Antonio Cornejo Polar en el texto Escribir en el aire, y Néstor García Canclini en la obra Culturas híbridas. Estrategias para entrar y salir de la modernidad. (shrink)

Populism’s Challenges to Political Reason can be seen as a consequence of social and cultural trends, the so called ‘emotional culture’, that have been accentuated in recent decades. By considering those trends, this article aims at shedding light on some distinctive marks of contemporary populism in order to argue for a reconfiguration of the public sphere that, without ignoring emotion, recovers argumentation and persuasion based on facts and reason.

KOINONIA/ASETT MINGA/MUTIRÃO DE REVISTAS DE TEOLOGIA LATINO-AMERICANAS Una nueva dimensión epistemológica para la teología: la Teología de la Liberación y el desafío epistemológico (A new epistemological dimension to theology: liberation theology and epistemological challenge).

Populism’s Challenges to Political Reason can be seen as a consequence of social and cultural trends, the so called ‘emotional culture’, that have been accentuated in recent decades. By considering those trends, this article aims at shedding light on some distinctive marks of contemporary populism in order to argue for a reconfiguration of the public sphere that, without ignoring emotion, recovers argumentation and persuasion based on facts and reason.

Blockchain is a pioneering technology that allows the creation of innovative information exchange ecosystems thanks to unique properties, such as immutability, distribution and transparency. By combining this technology with the emergent internet of things (IoT), many innovative business models can be created. The main objective of this work is to present the design and an initial implementation of a decentralized rental system that takes advantage of smart contracts developed on a public blockchain, combined with the potential of the IoT and (...) its intimate relationship with cyber-physical systems. The logic to be implemented in the blockchain is applied in this paper by using the Ethereum programming language, so that the developed application covers the entire car rental process offered in traditional web applications, but adding more autonomy, functionalities and ease of use for both lessees and lessors. Following Ethereum application development guidelines, all business logic is located in the smart contracts implemented in the network, where they can be used to control the car rental system. While this is a work in progress, the results obtained in the first proof of concept have been very promising. (shrink)

Uno de los problemas centrales que el filósofo francés Bernard Stiegler ha abordado para sostener una constitución tecno- lógica de la humanidad, es la cuestión del origen del hombre. El asunto recae en preguntarse si es posible pensar quién es el hombre desde esta tesis, sin volver a la metafísica o la filosofía trascendental. Esta posición ha de estar enraizada en una ontología que aprehenda el componente causal a nivel relacional, dejando de lado las explicaciones en las cuales la causa (...) es substancialista. Para dar desarrollo a esta propuesta, este artículo se compone de dos partes generales: la primera está destinada a presentar hasta dónde sigue y en dónde se separa Stiegler de la concepción zoo-antropológica de André Leroi-Gourhan sobre el origen del hombre; para luego explicar las bases epistemológicas y ontológicas sobre las que Stiegler erige sus tesis tecno-ontológica de la humanidad; a saber: los fundamentos de la transducción simondoniana y la diferancia derridiana. (shrink)

Ante el relativo estancamiento en la investigación del lenguaje artístico y su relación con el fenómeno social, el estudio de García Canclini constituye un valioso aporte, pues logra superar las insuficiencias de los estudios inscritos en las corrientes idealistas y penetra la corriente marxista, buscando nuevas posibilidades teóricas.

Esta investigación retoma la obra de Gabriel García Márquez, Noticia de un secuestro (1996), con la volición de cuestionar la idea de Estado nación que está inmersa en el libro. Para ello, es necesario entender que la naturaleza del texto exige un conocimiento amplio al lector o al intérprete, puesto que su contenido revela datos multidisciplinarios. Además, es insoslayable realizar un análisis discursivo de la historia de ese contexto y cotejar con pasajes del mismo libro. Para facilitar esta labor, la (...) extrapolación de conceptos del teórico Luis Rodríguez Manzanera será de utilidad, ya que él despliega definiciones de Criminología, un tema frecuente en la obra. Verbigracia, la macrocriminalidad, una noción que él postula, permite que se comprenda la complexión del periodo histórico finisecular del siglo XX en Colombia, etapa que le corresponde a Noticia de un secuestro. Por otro lado, es menester dilucidar que este estudio no se reduce a lo literario, lo histórico y lo criminológico, sino que abarca distintas disciplinas, por lo que la exigencia en la consolidación epistemológica e interpretativa estará demostrada consuetudinariamente, sin obviar la inmanencia de la obra. Este tipo de análisis interdisciplinarios ya ha sido trabajado desde los Estudios Culturales, tal como se constata en las investigaciones de Richard Johnson (2000) o Néstor García Canclini (1997). De igual modo, el intento de establecer lineamientos y conexiones entre disciplinas como las de Literatura y Derecho ya ha sido desarrollado por Stanley Fish (1986), Faustino Martínez (2005), Carlos Pérez (2006) y Denise Schalet (2014). A diferencia de estos abordajes ya estudiados, el objetivo de esta investigación es detectar y fundamentar cómo se articula una propuesta ideológica desde una configuración que reanuda elementos históricos y literarios. En específico, lo que se busca es argumentar por qué fracasó implícitamente un proyecto sociopolítico de democracia y progreso, a partir de un panorama de violencia, narcoterrorismo, corrupción, negociaciones ilícitas, transgresión a los derechos humanos e inseguridad ciudadana. Con todo ello, esta tesis de maestría terminará siendo fructuosa para análisis postremos de discursos que tienen como esencia un soporte multidisciplinario. (shrink)

Para calificar la estética posmodernista, que responde a la entrada en la era posmoderna, marcada por la ausencia de una visión unitaria y global del mundo, los teóricos de los años 70 privilegiaron el concepto de “heterogeneidad”, que en la década siguiente y parte de los años 90, dejó paso al de “sincretismo”, “mestizaje” o “creolidad”. A partir de los años 90 y, sobre todo, desde la primera década del tercer milenio, el concepto de “hibridez” ocupa un lugar destacado debido, (...) en parte, a la influencia de los estudios poscoloniales. Uno de los primeros en utilizar dicho concepto, en 1990, fue el crítico cultural argentino Néstor García Canclini, pero no profundizó sobre la hibridez de las obras literarias. Por consiguiente, cabe definir, en primer lugar, esta noción proteiforme, utilizada en nuestros días en numerosos campos. (shrink)

Postmodernism may seem a particularly inappropriate term when used in conjunction with a region that is usually thought of as having only recently, and then unevenly, acceded to modernity. Yet in the last several years the concept has risen to the top of the agenda of cultural and political debate in Latin America. This collection explores the Latin American engagement with postmodernism, less to present a regional variant of the concept than to situate it in a transnational framework. Recognizing that (...) postmodernism in Latin America can only inaccurately be thought of as having traveled from an advanced capitalist "center" to arrive at a still dependent neocolonial "periphery," the contributors share the assumption that postmodernism is itself about the dynamics of interaction between local and metropolitan cultures in a global system in which the center-periphery model has begun to break down. These essays examine the ways in which postmodernism not only designates the effects of this transnationalism in Latin America, but also registers the cultural and political impact on an increasingly simultaneous global culture of a Latin America struggling with its own set of postcolonial contingencies, particularly the crisis of its political left, the dominance of neoliberal economic models, and the new challenges and possibilities opened by democratization. With new essays on the dynamics of Brazilian culture, the relationship between postmodernism and Latin American feminism, postmodernism and imperialism, and the implications of postmodernist theory for social policy, as well as the text of the Declaration from the Lacandon Jungle of the Zapatatista National Liberation Army, this expanded edition of boundary 2 will interest not only Latin Americanists, but scholars in all disciplines concerned with theories of the postmodern. Contributors. Xavier Albó, José Joaquín Brunner, Fernando Calderón, Enrique Dussel, Néstor García Canclini, Martín Hopenhayn, Neil Larsen, the Latin American Subaltern Studies Group, Norbert Lechner, María Milagros López, Raquel Olea, Aníbal Quijano, Nelly Richard, Carlos Rincón, Silviano Santiago, Beatriz Sarlo, Roberto Schwarz, and Hernán Vidal. (shrink)

“The contemporary” is a phrase in frequent use in artworld discourse as a placeholder term for broader, world-picturing concepts such as “the contemporary condition” or “contemporaneity”. Brief references to key texts by philosophers such as Giorgio Agamben, Jacques Rancière, and Peter Osborne often tend to suffice as indicating the outer limits of theoretical discussion. In an attempt to add some depth to the discourse, this paper outlines my approach to these questions, then explores in some detail what these three theorists (...) have had to say in recent years about contemporaneity in general and contemporary art in particular, and about the links between both. It also examines key essays by Jean-Luc Nancy, Néstor García Canclini, as well as the artist-theorist Jean-Phillipe Antoine, each of whom have contributed significantly to these debates. The analysis moves from Agamben’s poetic evocation of “contemporariness” as a Nietzschean experience of “untimeliness” in relation to one’s times, through Nancy’s emphasis on art’s constant recursion to its origins, Rancière’s attribution of dissensus to the current regime of art, Osborne’s insistence on contemporary art’s “post-conceptual” character, to Canclini’s preference for a “post-autonomous” art, which captures the world at the point of its coming into being. I conclude by echoing Antoine’s call for artists and others to think historically, to “knit together a specific variety of times”, a task that is especially pressing when presentist immanence strives to encompasses everything. (shrink)

A leading figure in cultural studies worldwide, Néstor García Canclini is a Latin American thinker who has consistently sought to understand the impact of globalization on the relations between Latin America, Europe, and the United States, and among Latin American countries. In this book, newly available in English, he considers how globalization is imagined by artists, academics, migrants, and entrepreneurs, all of whom traverse boundaries and, at times, engage in conflicted or negotiated multicultural interactions. García Canclini contrasts the (...) imaginaries of previous migrants to the Americas with those who live in transnational circuits today. He integrates metaphor and narrative, working through philosophical, anthropological, and socioeconomically grounded interpretations of art, literature, crafts, media, and other forms of expression toward his conclusion that globalization is, in important ways, a collection of heterogeneous narratives. García Canclini advocates global imaginaries that generate new strategies for dealing with contingency and produce new forms of citizenship oriented toward multiple social configurations rather than homogenization. This edition of _Imagined Globalization_ includes a significant new introduction by George Yúdice and an interview in which the cultural theorist Toby Miller and García Canclini touch on events including the Arab Spring and Occupy Wall Street. (shrink)

Este artículo fundamenta los factores que impiden que en Latinoamérica no sea notorio un desarrollo asequible de la creación de formulaciones teóricas. Uno de los grandes problemas se corrobora al detectar que sus postulados no son tan auténticos como sí los son en otros continentes. Y eso será debido a su estado de subordinación con respecto a estos países. Esa realidad los pone en una condición periférica, propia del “sur global”. Y lo que se busca es fluctuar propuestas antisistemas, socialistas (...) y localistas. Para demostrar esa realidad desde los ámbitos sociales y literarios, se realizó un análisis cultural con el soporte de textos interdisciplinarios, que dan constancia de la oscilación de la historia latinoamericana y sus fenómenos culturales. Los autores utilizados fueron Antonio Cornejo Polar (1981; 1982; 1989), Roberto Fernández Retamar (2005), Néstor García Canclini (1995; 2004), Ángel Rama (1984), Beatriz Sarlo (1996), entre otros. (shrink)

En este artículo se hace una reflexión sobre el arte latinoamericano como contribución al conocimiento de la cultura continental, más un breve recuento de cara al Bicentenario sobre los enigmas vacíos de las nuevas expresiones y el fenómeno de la postproducción vinculado al planteamiento de Néstor García Canclini sobre La sociedad sin relato, antropología y estética de la inminencia. En las artes y en las expresiones literarias se plasman identidades y constituyen un complemento fundamental de la historia ¿El arte (...) actual es el resultado de una sociedad sin relato? (shrink)

ResumoAs práticas culturais fundem, a todo o momento, diferentes relações entre sistemas culturais (EVEN-ZOHAR, 1990) que antes eram separados. Tais manifestações híbridas reconfiguram e desterritorializam processos simbólicos. Nesse sentido, o presente artigo realiza uma análise comparatista das relações intertextuais presentes na configuração artística do álbum Esú, do rapper brasileiro Baco Exu do Blues, em especial na faixa “Capitães de Areia” em relação ao romance quase homônimo de Jorge Amado, às referências à mitologia dos Erês, e à série fotográfica Laróyè, de (...) Mario Cravo Neto. Para analisar as implicações dessas inter-relações na configuração cultural e identitária da obra, buscamos aporte teórico-crítico no campo dos Estudos Culturais pela perspectiva de conceitos que tentam dar conta desses processos, acerca do Hibridismo, em Néstor García Canclini, e das reflexões sobre sincretismo religioso em Sérgio Ferretti.Palavras-chave: Capitães da Areia; Hibridismo; sincretismo religioso; práticas culturais. AbstractCultural practices merge, at all times, different relationships with cultural systems (EVENN-ZOHAR, 1991) that were previously separated. Such hybrid manifestations reconfigure and deterritorialize symbolic processes. In this sense, this article performs a comparative analysis of the intertextual relations present in the artistic configuration of the album Esú, by rapper Baco Exu do Blues, especially the track “Capitães de Areia” and references to the mythology of the Erês, to the novel by Jorge Amado and Laróyè photographic series by Mario Cravo Neto. To analyze the implications of these interrelations in the cultural and identity configuration of the work, we seek theoretical-critical support in the field of Cultural Studies from the perspective of concepts that try to account for these processes, about Hybridism in Néstor García Canclini and reflections on religious syncretism in Sérgio Ferreti.Keywords: Capitães da Areia; Hybridity; religious syncretism; cultural practices. (shrink)

This chapter contains sections titled: References.

I propose a reading of some theoretical-critical texts published during the first decade of the twenty-first century, in order to perform a cartography of the complex weft of aesthetic knowledge and, in doing so, to consider new inflections and points of view to read the arts, the literature and its policies. The inquiries of Jacques Rancière, Andreas Huyssen, Nicolás Bourriaud, Reinaldo Laddaga and Néstor García Canclini are projected on the contemporary scene as reformulations of a discourse that tries to (...) refer the work with form and sensation, now disseminated as a production that reorganizes the material an symbolic conditions of art in its dialogue with the world. Each of these authors make unique characterization of contemporary aesthetics, all of which question the modern disciplinary rigidity to identify aesthetic practices as acts that can reorganize the sense of community and the ways of life through sensible exploration. (shrink)

Reseña al libro de María Rosa Palazón Mayoral titulado "La estética en México. Siglo XX. Diálogo entre filósofos". El libro reseñado es de gran importancia al compilar las propuestas teóricas sobre el tema de pensadores tan destacados como Antonio Caso, José Vasconcelos, Alfonso Reyes, Samuel Ramos, Eduardo Nicol, María Zambrano, Ramón Xirau, Adolfo Sánchez Vázquez, Joaquín Sánchez Mcgrégor, Bolívar Echeverría, Néstor García Canclini, María Noël Lapoujade, Ana María Martínez de la Escalera, Silvia Durán Payán y muchos otros.

Since ancient Greece’s “megalopolis,” the concept of vast cities has loomed in the urban discourse. A century ago, English planner Patrick Geddes warned about a growing imbalance between traditional society and ever-larger conurbations, an anxiety that Lewis Mumford later invoked to predict that urban hubris would inevitably collapse of its own weight. In 1961, by contrast, the geographer Jean Gottman surveyed the interconnected agglomeration stretching from Washington, D.C. up the east coast of the United States to the cities of southern (...) New England, and more optimistically highlighted this new urban form’s governance potential. Today, the question is not whether urbanism will arrive at the scale that so concerned Geddes and Mumford yet engaged Gottman—it already has. Commentators and scholars increasingly recognize that vast polycentric urban regions are displacing cities and metropolitan areas as the locus of modern growth and development. Eleven distinct urban-centered megaregions, for example, concentrate the bulk of the population and economic activity in the United States, and similar clusters are coalescing globally, from Greater Tokyo, Beijing, and the Pearl River Delta, to the arc from São Paulo to Rio de Janeiro, to the European urban spine running from London to Milan. Grappling with the phenomenon’s legal-institutional dimensions—whether and how to formalize governance to match this scale—requires more than transposing the descriptive and normative discourse on metropolitanism. Crosscurrents around fragmentation, efficiency, inequality, and democratic legitimacy refract, but there are distinct arguments for fostering governance—and equally particular concerns to anticipate—with the rise of the megalopolis. (shrink)

Depuis son invention par Destutt de Tracy et sa réinvention par Marx et Engels, le concept d'idéologie n'a cessé de faire problème. Passé dans le langage courant, largement utilisé par les sciences humaines, bien qu'en des significations souvent exclusives les unes des autres, il hante la philosophie comme une sorte de mauvais génie perturbateur qui lui rappellerait l'impureté de ses origines et de ses usages, et qu'il lui faudrait toujours s'employer à réduire ou à sublimer. Encore faudrait-il en produire une (...) définition cohérente. Mais comment y parvenir sans une enquête systématique, à la fois analytique et épistémologique, qui tienne compte de la multiplicité des usages et dégage une problématique générale, sans éluder pour autant la question du caractère polémique du concept? C'est ce qu'a entrepris Nestor Capdevila en déterminant le jeu de significations pertinentes, bien que potentiellement contradictoires, qui sont à l'œuvre dans les analyses historiques, anthropologiques ou théologiques contemporaines où l'on peut étudier son fonctionnement. Cette approche nouvelle conteste la thèse accréditée par la tradition sociologique d'une modernité de l'idéologie, totalitaire ou non. Elle montre la valeur d'un modèle religieux fondé sur le concept d'hérésie qui, tout en reconnaissant l'exemplarité idéologique de la religion, ne réduit pas l'idéologie à la religion. Elle critique également les définitions de l'idéologie qui par souci d'objectivité prétendent purifier le concept de son aspect intrinsèquement polémique. Celui-ci fait du concept d'idéologie une illustration exemplaire de la dimension politique des concepts de la politique. (shrink)

Este trabajo analiza el concepto de espacio público en el pensamiento de Hannah Arendt a partir de metáforas provenientes del ámbito teatral. El objetivo principal es reconstruir el camino entre las intuiciones provenientes del mundo del teatro y la construcción del concepto de lo público arendtiano. Después de algunas precisiones metodológicas, se enumeran las expresiones vinculadas con el ámbito teatral que se encuentran en distintas obras arendtianas. Posteriormente, se analiza la fuente de la metáfora teatral y se caracteriza el concepto (...) de espacio público a partir de ellas. Este trabajo muestra que: 1. La fuente de la metáfora teatral incluye a la tragedia antigua tanto como a formas contemporáneas de teatro. 2. Las formas contemporáneas de teatro permiten: a) conceptualizar las formas sociales de publicidad y, b) considerar el rol de los espectadores como políticamente relevante. (shrink)

The health emergency due to the COVID-19 pandemic revealed limitations in health systems worldwide, making it necessary to establish a bioethical framework that provides tools to drive health professionals’ decision-making amid scarce health resources. Bioethical models such as principlism, utilitarianism, and personalism seek to focus clinical decisions on respect for people’s rights and dignity, thus protecting the medical practice. Personalism provides a person-centered approach to respect for human dignity during health emergencies to avoid giving material meaning to the individual. Decision (...) criteria are required to face bioethical conflicts in clinical practice, reducing the legal, emotional, and ethical burden of decision-making in pandemic situations. (shrink)

In this paper I survey some recent developments in experimental philosophy and discuss their bearing on two leading theories in epistemology: Contextualism and Interest Relative Invariantism. In the first part of the paper, I survey some general issues of how experimental philosophy may be relevant to assessing contextualism and IRI. In the second part, I discuss and critique some of the recent experimental work.

Clustered regularly interspaced short palindromic repeats genome editing has already reinvented the direction of genetic and stem cell research. For more complex diseases it allows scientists to simultaneously create multiple genetic changes to a single cell. Technologies for correcting multiple mutations in an in vivo system are already in development. On the surface, the advent and use of gene editing technologies is a powerful tool to reduce human suffering by eradicating complex disease that has a genetic etiology. Gene drives are (...) CRISPR mediated alterations to genes that allow them to be passed on to subsequent populations at rates that approach one hundred per cent transmission. Therefore, from an anticipatory biomedical ethics perspective, it is possible to conceive gene drive being used with CRISPR to permanently ameliorate aberrant genes from wild-type populations containing mutations. However, there are also a number of possible side effects that could develop as the result of combining gene editing and gene drive technologies in an effort to eradicate complex diseases. In this paper, we critically analyse the hypothesis that the combination of CRISPR and gene drive will have a deleterious effect on human populations from an ethical perspective by developing an anticipatory ethical analysis of the implications for the use of CRISPR together with gene drive in humans. (shrink)